A pianist who is both virtuoso and erudite, naturally synthesizing a classical training that led him to interact very early with composers like Maurice Ravel or Heitor Villa-Lobos, an atavistic tropism for Afro-Cuban popular music and a passion for jazz in all its forms — Harold López-Nussa invents “fusion” music celebrating the ever-reinvented marriage between modern jazz and Latin traditions. At the head of a brand new quartet propelled by an abundant rhythm section and highlighting the melodic genius of harmonica player Grégoire Maret, Harold López-Nussa dangles