Antonin-Tri Hoang and his peers extend, rather than a tribute, a shimmering invitation to Ornette Coleman. A sound and light ode to freedom. Since his beginnings in Daniel Yvinec’s ONJ until his Grand Bazaar duet with Eve Risser, Antonin-Tri Hoang is not without evoking the late Ornette Coleman: same choppy lyricism, same taste for controlled divergence. Banlieues Bleues thought of this young “heir” to try to summon the spirit of the godfather of free jazz in a creation. And instead of a dissertation on the work of Ornette, Antonin-Tri Hoang proposed dreams, ramblings, evocative bridges. “Not a revival, but a survival.” With the November quartet at the helm, who masters the art of zapping and collage between eras and references. Which is reminiscent of John Zorn, another great (spiritual) son of Ornette.