Those lucky enough to have seen him live were struck by his silhouette, tattooed from head to toe, and belching out furious punk energy at every performance – as if it were his last. After an incandescent first album, on which Frank Carter seemed to be returning to the sound of his thunderous debut with the band Gallows (Eurocks 2010), in 2017 the singer and his rattlesnakes did a surprising about-face on a Modern Ruin that was toned down, but incredibly deep and powerful. Now the band are back with End of Suffering, an increasingly eclectic opus that they consider to be their most important work to date. The perfect opportunity to discover what’s really behind the (painted) façade of the great Frank Carter & The Rattlesnakes…