“Fantasy, desire, predation, consent, infamy, vertigo. In this great comedy, what is being played out and where is the truth? In front of the spectacle of this exasperated family that loses its footing, this device of revealed desire/denied pleasure, in the end, it is the audience that is unmasked in its voyeurism and its troubled enjoyment”, says Macha Makeïeff, who seizes the timeless masterpiece denouncing the hypocrisy of society by Molière, and transposes it to the 1960s.