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Vincent Peirani “Living Being”

Vincent Peirani needs no introduction, especially not to the audience of D’Jazz Nevers, which since 2012 has been able to discover him in turn as a soloist, within Daniel Humair’s quartet, or with his trio Thrill Box in the company of Michel Portal. In the space of a few years, the thirty-year-old barefoot accordionist has not only established himself as the most important accordionist since Richard Galliano, but above all as an adventurous artist who likes nothing more than to push back the limits, from classical to jazz, passing through pop or traditional music. 

Inaugurated four years ago, Living Being is perhaps his most personal project to date: expanding his seminal duet with Émile Parisien to the dimensions of a quintet with electric rock colors, our man presents with Night Walker a new album that cannot be ignored, capable of bringing the “piano with straps” definitively into the 21st century


Genre: Jazz
Director: Samuel Thiebaut 
Duration: 50′
Format: HD

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Symphony From Another World by Naïssam Jalal 5tet & Orchestre Symphonique Divertimento

Many feelings were mixed when Naïssam Jalal was asked to compose for a symphony ensemble. However, it is not the first time that the flutist invents a rich, varied and learned music, she draws from her love for jazz, classical and modern movements like funk or hip-hop.

It was then that her desire to create a new universe surfaced. Her sonic and aesthetic experiments allowed her to imagine an “Other World”. A world in which music brings values, dreams and removes borders.

In this work, the roles are blurred. The trumpets and the horn of the orchestra play the main theme and are accompanied by the drums and the double bass. The barriers between soloists and orchestra are broken down, leaving room for two large ensembles. The strings are not left out and double the voice. So, quintet and symphony orchestra unite.

From the Festival Détours de Babel 2022, discover a concert where ballads, hymns and traditional rhythms follow one another!

Genre: Jazz / Contemporary / Global Music
Director: Samuel Thiebaut
Duration: 75′
Format: HD

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Beatriz Fernández Aucejo Directs the Paris Mozart Orchestra Live at La Philharmonie de Paris

Can be paired with the second edition of the competition for female conductors LA MAESTRA 2, in which Beatriz Fernández Aucejo was the third winner.

Hector Berlioz – Symphonie fantastique, 2nd movement “Un Bal”
Maurice Ravel – Piano Concerto in G major, 1st movement
Johannes Brahms – Symphony No. 1, 1st movement
Claude Debussy – The Sea, 1st movement “From Dawn to Noon on the Sea

The Paris Mozart Orchestra invites the Spanish conductor Beatriz Fernández Aucejo to the Philharmonie de Paris.

The Spanish conductor Beatriz Fernández Aucejo began her musical studies in Valencia, then perfected her skills in Germany, Austria and Italy. This very European path, along with a stint at the prestigious Académie du Festival d’Aix-en-Provence, allows her to be the musical director of the Orquestra Filharmònica de la Universitat de Valencia. An independent conductor, Beatriz Fernández Aucejo has also collaborated with numerous Spanish, Mexican and South Korean ensembles.

At the beginning of March at the Philharmonie de Paris, facing the Paris Mozart Orchestra, Beatriz Fernández Aucejo displayed the full richness of her repertoire. (Re)discover her conducting Berlioz’ Symphonie fantastique, Ravel’s Piano Concert, Brahms’ Symphony No. 1 and Debussy’s La Mer. It is difficult to imagine a more beautiful program.

Genre: Classical Music
Director: Adeline Chahin
Duration: 44′
Format: HD

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Anna Sułkowska-Migoń Directs the Paris Mozart Orchestra Live at La Philharmonie de Paris

Can be paired with the second edition of the female conductor competition LA MAESTRA 2, won by Anna Sułkowska-Migoń.


Wolfgang Amadeus Mozart – Don Giovanni, overture
Alma Mahler – 3 Lieder, Die stille Stadt – Waldseligkeit – Bei dir ist es traut
Clara Schumann – Piano concerto in A minor, 3rd movement
Graciane Finzi – The Existence of the Possible (world premiere)
Igor Stravinsky – Suite from Pulcinella

An eclectic program led by Polish conductor Anna Sułkowska-Migoń and performed by the Paris Mozart Orchestra.

Born in Krakow, Poland, Anna Sułkowska-Migoń is currently studying conducting and choral conducting at the Krzysztof Penderecki Academy of Music. A promising young conductor, the artist already holds prestigious scholarships, has collaborated with great names in classical music and has shone in major masterclasses. Definitely an artist to watch!

This program called “L’Existence du Possible et autres pièces” combines works performed over four days at the Philharmonie de Paris. Its highlight, L’Existence du Possible by contemporary composer Graciane Finzi, is presented here as a world premiere. Surrounding this contemporary work, compositions by Mozart, Alma Mahler, Clara Schumann or even Stravinsky show the full musical palette of Anna Sułkowska-Migoń and the Paris Mozart Orchestra.

Genre: Classical Music
Director: Adeline Chahin
Duration: 67′
Format: HD

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Manon Lescaut by Giacomo Puccini

Genre: Opera
Director: Roberto Maria Grassi
Duration: 121′
Format: HD

Opera in 4 acts
Libretto by Domenico Oliva, Julio Ricordi, Luigi Illica, Marco Praga
Based on the story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost

Passion and flight come to an end in the solitude of a desert with Manon’s heartbreaking “Ah, non voglio morir”… This work represents a form of “adventure opera” that takes the heroine and her lover Des Grieux from France to New Orleans, passing through the splendor of a Parisian apartment, prison, and then deportation. Love and poverty, opportunism and money, desire and murder are intertwined in such a way that the novel by Abbé Prévost, which served as a source for the composer, was banned as soon as it appeared in 1731. The opera, however, was an immediate success and confirmed the talent of the young Puccini to create, through music, unforgettable dramatic situations. Polish director Mariusz Treliński, also director of Warsaw’s Teatr Wielki, makes his La Monnaie debut here.

Stage Direction: Mariusz Trelinski
Musical Direction: Carlo Rizzi
Symphony Orchestra and Choirs of La Monnaie

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La Maestra – Second Edition

The second session of the La Maestra competition for female conductors was held to combat the discrimination still affecting women in the musical world.

Faced with the fact that female conductors are largely absent from the French (and European) musical landscape, Claire Gibault has set out to offer female musicians who wish to express their talent a space in which to do so. Her La Maestra competition, which sends a strong message to the musical world, is extended by a two-year academy that provides professional support for the winners.
The competition offers a repertoire that combines key works from the 18th to the 20th century with contemporary creations, allowing the candidates to show the breadth of their palette. In the first edition, the Indonesian chef of Chinese origin, Rebecca Tong, was chosen. Who will be the new chefs that the 2022 edition of La Maestra will discover?

Genre: Classical Music

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